The wind was offshore, but the ocean swells were still rolling in and hitting the rocks in a steady procession, nothing spectacular, but still great to watch. A grebe was working about 20 or 30 metres out from shore, disappearing with its characteristic forward flop and coming up with slender fish that it maneuvered into the necessary swallowing position, and then going down for more. Lorraine set up the camera and together we read through some of the details in the manual to figure out some of the settings and things like aperture override and bracketing, while the swells kept sliding in and buffeting the rocks, sometimes crashing, sometimes splashing, and never stopping.
It was a great place to be as the sun dropped and illuminated the few drifts of clouds to the north and west. The sky was beautiful, but what I loved the most was the colours in the water, the slight peach reflection on the backs of the small waves heading offshore contrasting with the turquoise tinge of the sea.

Here, after all that, is the poem:
Sharks
Well, then, the last day the sharks appeared.
Dark fins appear, innocent
as if in fair warning. The sea becomes
sinister, are they everywhere?
I tell you, they break six feet of water.
Isn’t it the same sea, and won’t we
play in it any more?
I liked it clear and not
too calm, enough waves
to fly in on. For the first time
I dared to swim out of my depth.
It was sundown when they came, the time
when a sheen of copper stills the sea,
not dark enough for moonlight, clear enough
to see them easily. Dark
the sharp lift of the fins.
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